about.

Hi, and welcome. I am a largely self-taught semi-abstract landscape painter working in Bundjalung country, in northern NSW Australia. I love the beauty and diversity of all the life that has evolved on our planet, and believe we should hold dear all other lifeforms that we share the Earth with.

I love to use colours and texture, layering to create subtle and complex works that evoke curiosity and questioning. Although the landscape is recognisable in some of my art, my work is not purely representational.

I use collage, prints and transparent hues to build up layers, both physical and metaphorical. When I paint, it’s important to me that the process is without worries. I want to feel free and unfettered as I do when in the landscape and looking out upon a view.

Nature is perfect and yet if there is a higher power, it drew it with a long-handled paintbrush. Inexact repetitions evoke memories of landscapes in all its forms. Geometric shapes, lines and gestural mark-making allow me to draw the viewer into the landscape and portray nature’s imperfect perfectness. Water is often featured, whether in the application of mediums or represented by flowing lines. Waterfalls are a particular obsession, forming the crux between ancient geology and verdant life. Different geological formations become metaphors for the human experience.

CREATIVE EXPERIENCE

Creativity runs in my family—my father Phil was a talented hobbyist oil painter in his youth, and my great uncle Fred on my mother’s side was an esteemed artist and art teacher.

I was encouraged to explore my artistic side from a young age, from the early encouragement by my uncle, who bought a painting of two lovebirds, to being invited to attend a class for talented students Gladesville Tech. I went on to come first in my final years of 3-unit art during high school.

I have shown my work at Lennox Arts Collective (2023), in The Doyle’s Art Awards (2024 and 2025) and in the Micro 30 exhibition at Gallery 3 (2025), where I was co-awarded the People’s Choice award and the Mobile Framing Encouragement Award. Currently I sell my work through Bluethumb, and I welcome direct sales enquiries via my website.

1988.
– Gladesville Tech talented student class


1990.
– First in Year 12 Art Advanced, CGHS


2020-2023.
– Christine Read landscape, plein air and botanical workshops


2023.
– Exhibited at Lennox Arts Collective, Lennox Head Town and Gown Exhibition and c.a.s.e inc Postcard Exhibition


2024.

– Finalist in 2024 Doyle’s Art Award


2025.

– Mobile Framing Encouragement Award and People’s Choice Award, Micro 30 exhibition, Gallery 3


CURRENT WORK

I am currently working on a series of paintings guided by my experiences in Scotland, where I felt deeply moved by the history of the Scottish Highland Clearances. I have a strong genealogical connection to the country – as do many people across the world, because the events that before, during and after the Battle of Culloden led to a worldwide Scottish diaspora, particularly in the British colonies.

While in Scotland I visited Badbea, a village that once stood on a cliff, where many families lived after being evicted from their traditional lands. Exposed to the wild weather of the cliff these families existed for several generations. Legend records them tying children and animals down with rope to prevent them from succumbing to and flying away with the wind. Eventually they abandoned villages like Badbea and took the opportunity to move to places like Australia and New Zealand. There are strong similarities to the systemic disempowerment of the First Nations people of Australia. To be exposed, ripped, and torn from the comfort and protection of the land we call home is a travesty.